Copia dal vero N. 109
...quando al cinema vedevamo il giovane Vittorio Gassman... 1970s, with little money a screen printing was set up. Each collective of extra-parliamentary activism independently printed its own posters, which appeared on the walls in a few hours. The artists gave their graphic contribution, often borrowed from the aesthetics of comics, but no one signed his own work, everyone was the same, the important thing was the effectiveness of the message. Poor paper, often recovered. This is why few copies like these have survived. But it does not matter. It was happy art seen by a huge audience! Anni '70, con pochi soldi si attrezzava una serigrafia. Ogni sede dell'attivismo extraparlamentare stampava autonomamente i manifesti, che in poche ore apparivano sui muri. Gli artisti davano il loro contributo grafico, spesso mutuato dall'estetica del fumetto, ma niente firme, tutti uguali, l'importante era l'efficacia del messaggio. Carta povera, spesso di recupero. Per questo poch...
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